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FeaturesThe rebooted Planet Of The Apes series looks perpetually forward to an uncertain futureJesse Hassenger
FeaturesThe Phantom Menace's podrace grew out of George Lucas’ neverending need for speedJarrod Jones
For Our ConsiderationIt’s a great time to revisit Tarsem’s divisive 2006 masterpiece, The FallEmma Keates
For Our ConsiderationThe Fall Guy's end-credits stunt reel is so cool, we're not sure why they bothered with the rest of the movieWilliam Hughes
ReviewsBack To Black review: Cash-grab biopic doesn't bother disguising itselfThe late, great Amy Winehouse is treated merely like another property to exploitBrogan Morris
ReviewsMother Of The Bride review: Netflix’s algorithm serves up a romantic comedy facsimileManuel Betancourt
ReviewsKingdom Of The Planet Of The Apes review: A new hero rises in agreeable, dutiful blockbusterJarrod Jones
InterviewsHumane nature: Director Caitlin Cronenberg and Jay Baruchel talk about finding dark humor in a time of extremesBrent Simon
InterviewsHundreds Of Beavers director Mike Cheslik on reviving the slapstick genre in the frozen Midwestern wildernessCindy White
InterviewsJohn Early and Theda Hammel psychoanalyze the sordid characters in Stress PositionsDrew Gillis
ClipsRichard Gere investigates his estranged son's life and death in the Longing trailerMatt Schimkowitz
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FeaturesStar Wars: Episode I—The Phantom Menace marked a beginning for more than Star WarsJesse Hassenger
FeaturesThe Phantom Menace's podrace grew out of George Lucas’ neverending need for speedJarrod Jones
Reactions28 years ago the Spider-Man animated series got really weird—thanks to Madame WebSam Barsanti
ReactionsWill Mean Girls kick off a new era for the 'movie to musical to movie musical' pipeline?Drew Gillis
For Our ConsiderationIt’s a great time to revisit Tarsem’s divisive 2006 masterpiece, The FallEmma Keates
For Our ConsiderationThe Fall Guy's end-credits stunt reel is so cool, we're not sure why they bothered with the rest of the movieWilliam Hughes